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Chee-Hann Wu

Based in Greater Los Angeles Area

Independent Researcher & Someone Who Writes

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Ph.D. in Drama & Theatre

University of California, Irvine
(A joint program with UCSD Theatre & Dance)

Keywords: #theatre #performancestudies #puppetry #activism #technology #VR #Taiwan #AsianStudies #AsianAmericanStudies

about

ABOUT ME

Hi there! I am Chee-Hann. I do research on performance studies and I write for fun.

 

I recently finished a three-year position as an assistant professor faculty fellow in theatre studies at NYU. I am an editor of Taiwan Insight, an online academic magazine curated by the University of Nottingham's Taiwan Research Hub. I also work as a freelance translator, copy editor, and curator of cultural and arts events. I got my Ph.D. in drama and theatre at UC Irvine. Most importantly, I make socially engaged art, and I am proudly from Taiwan!
 

My research focuses on puppetry and its ability to reenact/retell memories, experiences and trauma that have been suppressed, and further serve as a force for transitional justice. My dissertation and current book project, Puppetry: A Performative Reenactment of Taiwan, considers puppetry as a means of mediated communication through which I look at Taiwan’s cultural and sociopolitical environment, colonial history, as well as its path to democracy. 

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My most recent work focuses on the cultural politics of technology. I am very interested in viewing the transnational ecology of video games,  VR, and AI through the lens of performance. As a performance studies scholar/puppet lover, my work has always been exploring the intersections between artificiality and humanity. I bring the same mindset to advocating for responsible AI that ensures transparency, fairness, accountability, and social sustainability.

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Some of the performance projects I was involved in focused on Asian and Asian American experiences, drawing attention to the issues of (im)migration and the stigmatization of mental health within the community. 

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I love teaching! I'm teaching "Performing the Nonhumans" and "Performing the Future: Theatre, Technology and Beyond (honors seminar)" in fall 2025. 

I've also taught "Development of Drama," "Intro to Theatre Studies," "Transpacific Asian Theatre," and "Asian American Theatre and Pop Culture." 

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Aside from research and teaching, I am the Vice President of Conference Planning for the Association for Asian Performance (2026-) and the program co-chair of the IEEE AIxHEART (humanities, education and arts) conference (2024-). I have also served as the President of the North American Taiwan Studies Association. 

EDUCATION

  • 2017 - 2022
    UNIVERSITY OF CALIFORNIA, IRVINE
    (A joint program with UC San Diego)

    Ph.D., Drama & Theatre

    Dissertation: Puppetry: A Performative Reenactment of Taiwan.
    Advisor: Dr. Daphne Lei

    Irvine, CA, U.S.A.

  • 2014 - 2016
    UNIVERSITY OF ALBERTA
    M.A., Drama & Theatre
    Thesis: From the Rest to the West: Staging Differences and Redefining Intercultural Performances.
    Advisor: Dr. Stefano Muneroni

    Edmonton, Alberta, Canada.

  • 2010 - 2014
    NATIONAL TAIWAN UNIVERSITY
    B.A., Foreign Languages and Literatures
    Taipei, Taiwan.

resumé

 TEACHING

  • I've taught courses that align with my research interest, including an upper-level undergrad course, "Performing the Nonhumans," and an honors seminar, "Performing the Future: Theatre, Technology and Beyond". 

  • I've also taught "Transpacific Asian Theatre" in 2023-24 and "Intro to Theatre Studies" in spring 2024-25 at NYU.

  • I was an instructor/teaching associate of "Development of Drama" (Theatre Histories) at UCI. Check out my sample syllabus!

  • My experience as a teaching assistant includes "Performance Now," "Intro to Theatre," and "Culture and Performance" at UCI.

  • I have taught and TAed both small, seminar-style classes and large 250-student lectures.

  • I have mentored student projects and theses!

RESEARCH & PAPERS

OTHER WRITINGS

THEATRE EXPERIENCE

  • Director
    My directing experience includes The Blue Room (2014), The Bear (2015), Almost, Maine (2017), and "US Census Pop-up Performance with Irvine Playwrights Workshop" (2020; sadly this was canceled due to COVID-19). 

  • Performer
    Though I am extremely stage shy, I have performed in Babel en Bhablóin (2016), a devised piece about body, language, cultural code and violence by Josh Clendenin, and presented a puppet piece I made as a part of the I Dream Therefore I Am: Asian Immigration as Creative Muse (2019). I also performed with Taiwan Puppet Troupe for the Lantern Festival in Costa Mesa, CA (2018).

  • Theatre Admin
    I worked as a project specialist for the 2016 Asia Pacific Traditional Arts Festival (hosted by National Center for Traditional Arts, Ministry of Culture, Taiwan; organized by Puppet & Its Double Theater)
, and served as the executive producer of The Complete Works of William Shakespeare (abridged). I also have experience as an English-Chinese interpreter for theatre workshops, and a translator for theatre-related pieces.

This is from the show The Bear (Anton Chekhov) 
I directed at the 2015 Taipei Fringe Festival.   
Venue: Drip Cafe, Taipei. Photos by Yi-Chen Han.

This is from The Blue Room (2014) by David Hare.  
Venue: NTU Theatre. Photo by Sheng-jung Huang.

Performance with Taiwan Puppet Troupe in 2018.  
Venue: Segerstrom Center for the Arts’ Julianne and George Argyros Plaza in Costa Mesa, California. Photo by Spencer Grant.

© 2025 by Chee-Hann Wu. Proudly created with Wix.com

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